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Immortelle Society Papers

Immortellle Bijouterie - Ohio Renaissance Festival 2018
Ohio Renaissance Festival

The Early Years of Immortelle: 2018 - Taking Root

In 2018, Immortelle stopped moving. This was the year the work chose to remain. I purchased the structure that would become Immortelle’s permanent home within the Ohio Renaissance Festival grounds...

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Luna - Immortelle bijouterie
Ohio Renaissance Festival

The Early Years of Immortelle: 2017 - The Year of Luna

Luna entered Immortelle at the precise moment permanence became necessary. By the end of the 2016 season, it was clear that the work could not remain provisional. What had begun beneath an acorn t...

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The Early Years of Immortelle: 2016 - The First Season
Ohio Renaissance Festival

The Early Years of Immortelle: 2016 - The First Season

In 2016, I applied as a guest artist to the Ohio Renaissance Festival and was granted two guest weekends to present my jewelry. I arrived with no expectations beyond showing my work honestly. By t...

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Stays vs. Corsets: A Clarification
From the archive

Stays vs. Corsets: A Clarification

The terms stays and corset are often used interchangeably in modern language, yet historically they describe distinct garments with different purposes, constructions, and cultural contexts. Underst...

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The Immortelle Philosophy
about Immortelle Bijouterie

The Immortelle Philosophy

Immortelle Bijouterie is built on the belief that nothing of value is accidental. Every garment, every piece of jewelry, every stitch and structural decision exists by intention. We do not design t...

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madame mortelle building at the ohio renaissance festival
Ritual. Power. Devotion.

Madame Mortelle

Madame Mortelle is not an aesthetic.She is a practice. Where Immortelle is concerned with form, lineage, and endurance, Madame Mortelle inhabits what lies beneath — the ritual, the memory, and the ...

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