Immortelle Society Papers

The Early Years of Immortelle: 2018 - Taking Root
In 2018, Immortelle stopped moving. This was the year the work chose to remain. I purchased the structure that would become Immortelle’s permanent home within the Ohio Renaissance Festival grounds...
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The Early Years of Immortelle: 2017 - The Year of Luna
Luna entered Immortelle at the precise moment permanence became necessary. By the end of the 2016 season, it was clear that the work could not remain provisional. What had begun beneath an acorn t...
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The Early Years of Immortelle: 2016 - The First Season
In 2016, I applied as a guest artist to the Ohio Renaissance Festival and was granted two guest weekends to present my jewelry. I arrived with no expectations beyond showing my work honestly. By t...
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Stays vs. Corsets: A Clarification
The terms stays and corset are often used interchangeably in modern language, yet historically they describe distinct garments with different purposes, constructions, and cultural contexts. Underst...
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Immortelle Bijouterie is built on the belief that nothing of value is accidental. Every garment, every piece of jewelry, every stitch and structural decision exists by intention. We do not design t...
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Madame Mortelle is not an aesthetic.She is a practice. Where Immortelle is concerned with form, lineage, and endurance, Madame Mortelle inhabits what lies beneath — the ritual, the memory, and the ...
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